Spike’s Poster, Palme d’Or Chances

I wouldn’t call Spike Lee‘s BlacKkKlansman a “black comedy,” as the Wiki page maintains — I would call it a more or less straightforward ’70s police procedural flecked with ironic humor here and there.

And yet a partly humorous approach is clearly indicated in the just-revealed poster art (i.e., hood + soul comb + black power salute). Plus it obviously delivers the basic idea, even if John David Washington‘s Ron Stallworth character never actually

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